Classics: The Stone Tape

Thestonetape

I previously discussed Nigel Kneale’s Beasts. I watched The Stone Tape a few years ago-never wrote about it-but decided to watch it again mainly because I read on Mike Glyer’s File 770, a new audio version of Nigel Kneale’s lost play The Road is currently available online. 

The Stone Tape was a television play broadcast by the BBC in 1972.

The Stone Tape begins with a man named Peter who is head of a research team for an electronics company. Like many of the characters in Beasts, the protagonist is not a pleasant person. Peter Brock, though likely very skilled at his job, is arrogant, self-absorbed, sexist, and condescending. Whereas some of the sexism and the bigoted comments may be a representation of the realities of the the business world (and TV) at the time, you are clearly meant not to like Peter Brock as a person which only amps up the unease surrounding the main plot.

Peter and his research team set up shop in an old abandoned Victorian mansion which as been refurbished for their use. His team is working on creating a new recording device.  It’s all men except for Jill Greeley (played very well by Jane Asher) a computer programmer whom Peter seems to have more than a working interest in. (Whether there is actually an affair or just Peter’s sexism isn’t quite clear). In any event, Jill feels uneasy the moment she drives up to the mansion having strange blurry visions. As the story transpires, Jill hears the sound of a woman screaming and sees the ghostly vision of a women falling to her death in one of the rooms. 

At first, Jill is dismissed as being ‘oversensitive’. As the story progresses, it turns out that Jill is not the only one to be affected. Only Jill sees the full spectral images, but others hear the screams or pick up on the unease. A few, experience nothing at all. Peter decides to use the team’s research equipment to record the ghost. It’s not entirely altruistic-Peter is convinced that the stone walls act as a recording device of past events and wants to use it for possible research into a breakthrough recording device.

The playback of the recording is just static; although a few researchers swore they heard the screaming and Jill saw the  ghost. Another scientist tries to convince Jill to forget about it. He heard the screams too, but he worries that Jill will destroy herself and her career if see keeps pursuing the issue.  Jill investigates on her own and discovers that a priest was called in to perform an exorcism at the spot before the mansion was even built.  There is a malevolent power affecting the mansion and the grounds.

Jill comes to believe that the screaming woman was only the most recent victim of a deep rooted evil; and therefore her death was ‘recorded’ in the walls of the house. Peter Brock is dismissive of Jill’s claims and tells her she has to leave the work group. Jill returns to the haunted room; and is attacked by the dark force; and dies. 

Peter Brock tries to explain away Jill’s death as an accident; and paint her as mentally unstable. Her research is destroyed. In the final scene, Peter returns to the room-and hears Jill screaming his name as she dies.

I thought The Stone Tape was worth the watch. It’s a little dated so it may not be as terrifying as it would have been to its contemporary audience, but it’s still haunting. The characters are fully developed and well-acted.  With minimal special effects-and a truly disturbing scream-it manages to be unsettling. If you like classic horror or SF, this is a good one to add to the watchlist.

And check out The Road while it’s still online.

The Road

October 1768 – a scientist and a philosopher clash whilst investigating a ghostly outbreak in the woods. Nigel Kneale’s legendary lost 1963 TV play, adapted by Toby Hadoke

 

Advertisements

SF Obscure: Nowhere Man

Nowhere_man_promo

Nowhere Man was a suspense series starring Bruce Greenwood as a man who finds his entire life erased. It aired on UPN from 1995-1996.

 

Thomas Veil (Bruce Greenwood) is an up and coming photojournalist on the verge of success with the help of his best friend and supportive spouse. After an exhibition of his work, Tom takes his wife out for a romantic dinner. He gets up to go to the men’s room-but when he returns his wife is not there. Tom sees another couple sitting at their table. He asks the host about his wife, but the host has no recollection of either of them. At first he thinks it a practical joke then get increasingly hostile and is ushered from the restaurant. When Tom Veil returns home, he finds his wife there-married to someone else, and having no idea who he is. Tom follows her by hiding in her car. She confesses that she does know him but must play along because ‘they’ are watching.

Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by  US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities.  He tries to identify the military unit involved using evidence from the photos, yet, each step takes him  deeper into a an ever, menacing conspiracy.  He follows a trail of clues with lead him to several other anomalies: one town controlled by  subliminal programming; another town in which people are being abducted by UFO’s;  yet another  town comprised entirely of people who’ve been erased like Tom.  Veil himself is often captured, tracked, and subject to further experiments.

It’s definitely a conspiracy theory show-not really SF but deals with many of the themes common in dark conspiracy TV. Brainwashing, subliminal messaging, government surveillance, government cover-ups. It’s a really good show with lots of action and plenty to think about. Bruce Greenwood is great and most of the guest cast and supporting actors do a good job. The strength of the show is that it gives away just enough information each episode to keep you interested, but always adds on new avenues for Thomas Veil to pursue. It’s engaging.

It was cancelled after one season. There is a conclusion of sorts, but I couldn’t help feeling like there was so much more to explore. Anyway, worth the watch.

SF Worth Watching: HUMANS

Humans_Series_Intertitle

Hi out there! So, this summer I took time to do quite a bit of reading, but I did watch a show or two here and there. Today I’m going to talk about HUMANS. It’s not an obscure show and still broadcasting, but it’s a gem of a show I hadn’t heard much about. My mother is a big fan and introduced me to it-so we indulged in a mother/daughter binge watch.

HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other.

There is a larger overarching plot-about the creations of the first conscious synths and their large purpose-but the power of the show is in the individual synths and their family dramas. The first synth whose life we follow is Anita. Anita is a synth purchased by the Hawkins family for domestic tasks. Laura, the wife is not to thrilled about a synth; but Joe feels the family needs the assistance.  The Hawkins family becomes center to the drama as their reactions to Anita reveal a lot of the complex issues surrounding human/synth relationships.  There is also Anita’s odd behavior which causes Laura want her returned and replaced. (There are other reasons also which you need to discover for yourself)  It turns out that Anita was purchased  as new but is actually a hacked synth whose old personality as Mia, has been submerged. Mia is one of a small group of conscious synths.

Without giving too much away (trust me you want all the surprises) the original creator of the synths created a group that were self-aware. They were on the run for some time, but Mia/Anita was captured and the group was scattered. Leo, the son of the creator, wants to get them back together and create a space for them. Niska, another synth, was forced to hide in a brothel. She kills a human to escape; tries to liberate synths forced to fight; and then is on the run. Niska’s murder of the client alerts the authorities to the possibility of a synth that can override its programming not to kill. There are other synths Max and Fred, both synths created as a brother to Leo.  There are other non-aware synths, such as Odi, and older model and other synths in hiding.

One of my initial concerns with Humans was my worry that it would be another Blade Runner rip off. I love Blade Runner. I love Blade Runner 2049. But I have seen too many movies and tv shows rip off the Blade Runner look and style. Thankfully, Humans does not. It does ask many of the same questions about what is sentience and what is means to be human but in a new way.  The synths look human have energy ports and have to be recharged like a smartphone. They are ethnically diverse as well as ‘older’ and ‘younger’ looking models with rather clever explanations as to why. It’s a fully developed world. HUMANS also explore the psychological effects on humans and their attachments to synths. (Letitia Wright of Black Panther fame, plays a teen desperate to be a synth.)

This is not the first version. HUMANS is based on an original Swedish show called REAL HUMANS. I would love to see this version. And there is apparently a plan for a Chinese version in the works.

SF Obscure: Ace of Wands

aowtitle1

Ace of Wands is an ITV fantasy show broadcast in 1971 to 1972. It’s technically a children’s/ family show, but it’s fairly sophisticated and one that held my interest. Ace of Wands ran for three series, however, only the third series remains. At the time, ITV wiped old series due to the high cost of production materials and storage.

Ace of Wands focuses on a stage magician named Tarot who also has psychic powers and works to develop his paranormal skills. In series three he is assisted by a sibling team Chas, a photographer, and Mikki a journalist. Mikki is interested in studying the paranormal and she is more readily able to accept the various paranormal happenings. She also appears to have rather strong potential abilities herself. Chas is the resident skeptic. I felt like his character was a bit extraneous  (perhaps a third wheel in the Tarot/Mikki dynamic) but I didn’t dislike him.  There is also an owl named Oxymandius. The Tarot character made me think of the show Jonathan Creek and I wondered if those writers were influenced by it.

There are six stories in season three, running about three or four half hour episodes each. The two that stood out for me were Peacock Pie and The Beautiful People. Peacock Pie features a man with very strong powers of suggestion: making people dream certain images, imagine blank paper is really banknotes, and getting people trapped in their own illusions. Mr. Peacock is a fascinating villain because he’s complex; you actually empathize with him in feeling trapped in a world that can’t really understand his power. What makes this show effective, despite few props and limited effects budget, is the acting-creating full bodied characters that move the story along. It’s almost like a stage play in its sparseness but effective.

The Beautiful People is another one that I like; mainly because it’s so odd with an unexpected ending. Tarot and company encounter a group of siblings who run invite -only street fairs for elderly people and people in need. It’s not nearly as altruistic as it appears. The siblings are pleasant on the surface with an ominous tone that underscores everything they do. This episode was written by PJ Hammond who later wrote for Sapphire and Steel so it has that sort of style.

I have to admit, I also like the Ace of Wands  theme song. It’s got that catchy hippies early seventies vibe and sticks in your head. The show ended abruptly to be  replaced by the original UK version of The Tomorrow People.  (which I covered in an earlier post) I liked this show better than The Tomorrow People.  It’s a bit dated, but I had a good time watching.

SF Obscure: Cosmic Slop

cosmic-slop

Cosmic Slop was a 1994 TV anthology series on HBO featuring three short black science fiction movies. (I have also seen the broadcast date listed as 1995.) It features three short “Space Traders” based on the Derrick Bell short story; “The First Commandment” and “Tang”. It’s kind of a Twilight Zone vibe with George Clinton of Parliament Funkadelic during the intros. (It’s as bizarre in the way only George Clinton can be.)

Space Traders is probably the most well known mainly for its political satire, star studded cast, and is the strongest to of the three. Robert Guillame plays Golightly, a black conservative cabinet member, who is asked to join the President’s discussion of a trade agreement. Aliens have come to Earth and offered gold, technological advances, etc to the US if it will turn over all of its black people to the aliens. A national referendum is held to decide the fate of the US black population. There is a resistance movement let by civil rights pioneers as well as another attempt by corporations to use advertising to swing the vote. It is a deep, thought-provoking discussion confronting the political realities of black life in the US. At times its distressing to watch; at other times its almost over the top satire. If there is one criticism, I think its that some actors seem to go with a dramatic interpretation of their roles and others go for broad parody which makes it a bit uneven. Robert Guillame keeps it all together because he’s a fantastic actor. It’s definitely worth watching.

The First Commandment focuses on a catholic priest  and a statue of the Virgin Mary that comes to life. This is a commentary on the cultural conflict within the church-being European in origin; yet largely third world in its parishioners and its traditions that incorporate tradition African beliefs. (Vodun). It’s interesting especially if you know something about religious rites, transatlantic slave trade and religion; otherwise it may not have as strong of an impact.

Tang, based on a story by Chester Himes, involves a couple in an abusive relationship and a mysterious package left at their door. It touches on the complex issues of racism and misogyny. It’s hard to watch, although the actors are brilliant. Chi McBride playing an unpleasant character was a shocker-I don’t usually see him in these type of roles.

*Thanks to author PJ Dean for telling me about Cosmic Slop. She write futuristic/SFR as well as multicultural historical romances. Check out her work.

(https://pjdeanwriter.weebly.com)

**It’s taken a while to post. I have been watching the new Lost in Space. Will take some time to see how I feel about it. They’ve cast a Captain Pike for the next season of Star Trek Discovery. Infinity War left me emotionally spent. I will go see the Solo movie. I might regret it, but I will go. Because.

***Nothing to do with SF but I love the Peaky Blinders.

SF Obscure: Hard Time on Planet Earth/Chaos on the Bridge

Hard_Time_on_Planet_Earth_title_card

Hard Time on Planet Earth was an American series broadcast for 13 episodes in 1989 starring Martin Kove. An elite alien military officer is sentenced to earth as his penalty for rebellion. He is given human form-much weaker than his older form-and sent to Earth to improve his violent behavior. (Or maybe curb his violent instincts or learn about goodness, it all gets a bit murky.) Anyway, he’s banished to Earth with an AI system called Control to monitor him. He’s given the name Jesse. Control  is a giant, floating mechanical eye. Jesse has to help people in need to get back into the Ruling Council’s favor.

Hard Time on Planet Earth is an adventure-of-the-week type of show. Jesse has to learn to survive on Earth. Most of the information he and Control rely on comes from television shows, so its not entirely accurate. There’s a heavy dose of comedy with commentary on modern (1989) consumer America.  In one episode he steals money from an ATM then turns himself in when he finds out its a crime. In another, he goes to Disneyworld. In yet another, Jesse joins the US Army. Along the way, he meets new people and becomes involved in their daily lives. The also spend a lot of time trying to think up ways to hid an giant floating AI eyeball.

Critics trashed it. It didn’t get much of an audience which is why it was canceled so quickly. Watching it again, it’s not nearly as bad as I remembered it. The floating eyeball is still dreadful; but some of the episodes are kind of charming and its has sort of a goofy but endearing element to it. There were actually quite a few well-known writers. Micheal Piller of Star Trek fame wrote a few episodes.  I won’t lie and pretend like it’s a hidden classic. Thirteen episodes pretty much covered the possibilities  of the “alien super soldiers in human bodies with floating eyeball partner” genre.

MV5BMjc4Nzk5MDY0OV5BMl5BanBnXkFtZTgwODQ3MjQ0NjE@._V1_UY268_CR9,0,182,268_AL_

I also got a chance to see Chaos on the Bridge on Netflix. It covers the backstory of the making of Star Trek: The Next Generation and all the controversy that surrounded it. The infighting. The studio conflicts. The fans who were sure it was the end of the franchise. (Sound familiar) It’s only about a hour and worth the watch. If you haven’t already, watch it along with The Captains, which are William Shatner’s interviews with all the  actors who played captains in Star Trek, how they felt the role impacted their lives and careers.  (Sir Patrick Stewart, Kate Mulgrew, Avery Brooks, Scott Bakula, and Chris Pine) or if you prefer, Picard, Janeway, Sisko, Archer, and Kirk 2.0. It’s a Shatner production and very Shatner-centered, but still a lot of fun.

I plan to see Black Panther when it premieres in Japan this weekend. And apparently a reboot of Lost in Space is coming to Netflix. I’m not sure if it’ll be on Netflix Asia, but I might give it a watch.

SF Obscure: The Tomorrow People

250px-TOMOLOGO

A few years ago, there was a TV show called The Tomorrow People which I only saw a few episodes of. It was a paranormal show in the midst of many paranormal shows, but in this case dealt more with telepathic and psychic sorts of powers. I remembered watching it and thinking…wasn’t there something like this before?

And I was correct. It was a remake-though really more of a re-imaging because the look and style is much different from the original.

The original The Tomorrow People was a British children’s SF show which ran from 1973 to 1979. The basic idea is that humans are reaching a new step of evolution and these new humans are developing various psychic powers- telepathy, telekinesis, and teleportation  usually at the onset of puberty although a few are a bit older. Anyhow, there is an organization that tracks tomorrow people and helps them adjust. There is also a biological computer called TIM, and a secret base, and they sometimes deal with a galactic group that tracks telepathy all over the universe. The Tomorrow People (homo superior)  are fundamentally unwilling to kill and have to hide from those who want to exploit their powers. It was supposed to be the ITV answer to Doctor Who and it has that kind of SF, mystery, adventure sort of feel. The theme music is by Dudley Simpson who also did a lot of the Doctor Who music as well as the them music for Blake’s 7 and the very short lived Moonbase 3. 

It doesn’t age particularly well. Clothing. Hair. Limited budget and not-so-special special effects. The acting is…well…not exactly the best.  It does have a nostalgia value for a few episodes 🙂 And I have to admit, some of the plots were rather sophisticated and compelling.

250px-TP_logo

However, I realized this wasn’t even the version I was remembering. The Tomorrow People was revived in the 1990’s. It ran on Nickelodeon from 1992-1995. It’s similar to the original-though they had a psychic spaceship rather than the computer and they use their powers more freely, but still don’t kill. It’s one of the early roles for young Naomie Harris who has sent moved on to be Pirates of the Caribbean, James Bond, and an Academy Award nomination for Moonlight. 

The_Tomorrow_People_intertitle

The newer 2013 version is more young adult than children’s show with edgier plot lines. Plus, the emergence of The Tomorrow People and the governement/military involvement is amped. It didn’t see very many episodes, but I think any alien invasions or Doctor Who-ish type plots are dropped.

Big Finish ran a brief audio drama series based on the original.

*By the time this finishes, the first season of Star Trek: Discovery will be finished and I can assess how I feel about it. I have been watching Star Trek: Voyager which I hadn’t seen in a while and forgot a lot of those first few seasons. It’s better than I remembered it even if there are a few clunker episodes. I also finally have a chance to watch Killjoys. It wasn’t broadcast overseas so I had to wait for Netflix. So far, it’s a fun one.

SF Obscure: Planet of the Apes TV

Planet_of_the_Apes_DVD_Cover

So, I hope everyone had a pleasant holiday season. It was mostly time for family friendly viewing although I did get to see the Black Mirror Episode, Callisto, and Star Trek: Discovery is back for its second half. I love Discovery. This month also marks the 25th anniversary of Deep Space Nine-one of my favorite series of all time and my personal favorite Trek. And the 40th anniversary of Blake’s 7-another of my favorites. Big Finish has released an anniversary audio adventure, which is on my order wishlist.I cannot wait. I love the Blake’s 7 audio series.

Anyway, I saw the DVD release for the latest new Planet of the Apes. I haven’t watched the newer ones because…. it just never really happened, but it reminded me of the original franchise and a faint memory of a TV show or an animated show. Turns out there was both a live action TV show and an animated show.

The live action TV series has two new astronauts stranded on future/parallel earth.  In this version, there are human villages-not quite as primitive as the original movies movies-ruled over by Apes as governors and guards. The two astronauts are assisted by another Ape who believes humans are capable of more. It’s a run of the mill action adventure with the planet of the apes spin. Entertaining, but not outstanding. It was, unfortunately, an expensive show and cancelled after 14 episodes.

RTTPOTA

The animated series (RETURN TO THE PLANET OF THE APES) was launched in 1975. It follows three astronauts ( one a woman this time) who land on earth in the year 3900 or so. Time travel is an accepted theory. In this version, the Ape future is a bit more sophisticated. Rather than the world created with more of an ape-like style, we have cars, apartments, airplanes. Humans can be hunted as sport or kept as pets.They do have a decree-that if humans are discovered to have language and sophisticated reasoning ability they are to be wiped out. I found it to be more engaging than the live action, if only because the themes were closer to the original. The assembly line animation with the old style block face templates is not my favorite, but getting past that, it’s a fairly good show.

SF Obscure: Alien Nation TV Movies

220px-Alien_Nation_TV_series_title_card

I did a post long ago on ALIEN NATION. If you haven’t seen ALIEN NATION watch it before you read. 🙂 It focuses on a group of aliens, the Newcomers, whose slave ship crashes on Earth and they become part of the population of L.A. It’s a combination of SF and crime drama. The episodes follow two detectives, Matthew Sikes(human) and George Francisco(Newcomer) as they navigate the human and Newcomer (Tenctonese) worlds. The series only lasted one season, but there were a series of TV movies to continue the story.

DARK HORIZON begins where the series leaves off. George’s wife Susan and his daughter Emily are attacked with a engineered virus to exterminate Newcomers. All of the cast is back. Cathy, the Newcomer nurse, is a doctor now. (Newcomers adapt and learn quickly). Matt and George have to find a cure for the virus as well as deal with a Tenctonese agent, Ahpossno, sent by the Overseers, to reinslave them. It’s a good show. The two parallel plots are well paced and engaging-although the Overseer Agent plot takes over if only because the character of Ahpossno is engaging. I also liked the richer exploration of Tenctonese culture explaining its matriarchal origins and life before their enslavement.

BODY AND SOUL follows George and Matt as they investigate what appears to be a hybrid human-Tenctonese child. Because the Tenctonese are bred for adaptability, this may be the beginnings of a new race. This episode also explores the beginnings of Matt and Cathy’s sexual relationship and differing attitudes towards sexuality. It fairly heavy on the social commentary about sexuality and politics, but I think it does the job nicely while keeping and engaging plot.

MILLENNIUM follows George and Matt as they investigate a Tenctonese influenced cult that George’s son Buck falls in with. It’s entertaining, but lacks some of the strong social themes that gave the previous two its impact. Also, the characters of Buck and Emily, George’s kids, never seem to have a consistency to them. I am not sure if its the characters or the writing but their personalities seem to change with the plot, which makes their adventures less convincing. Still, it has its moments and the cult leader, Jennifer, really steals the spotlight.

THE ENEMY WITHIN focuses on a group of Tenctonese called the Eenos who are discriminated against and treated as untouchable. They were forced to do the worse jobs of waste extraction and sometimes survived on carcasses. As a result, other Tenctonese refuse to accept them. The movie begins with an escaped Eeno girl left to die as other Tenctonese refuse to help. Matt is shocked at George’s open bigotry; and George has to confront his discomfort with his slave past. As a subplot, George is asked help father a child. Among the Tenctonese, two males are needed to impregnate a female. George’s wife, Susan, deals with her own feelings of jealousy as human and Tenctonese value systems clash within her. This is a return to Alien Nation’s social themes and a stronger movie than the previous one.

THE UDARA LEGACY is the last of the TV movies. It focuses on a resistance movement of sleeper agents among the Tenctonese. It is the most action SF of all of the movies. There is more screen time given to Emily Francisco and a continuation of some to the relationship of Matt and Cathy. Like the third movie, it moves away from the social themes and as a result, is not as interesting. Alien Nation can get preachy, but it does that well and is most effective in that element. This is still not a bad TV movie, but not my favorite.

 

Well, it’s almost time for the holidays. I haven’t had time to do much TV watching, thought I did get to see BLADE RUNNER 2049 (twice) and THE LAST JEDI. And a few mysteries here and there. (ENDEAVOUR!!) I’m looking forward to BRIGHT- a Netflix series starring Will Smith with elves. I am a fan of anything with elves, pretty much. And the holidays are always the season for my Lord Of the Rings Marathon.

Happy Holidays!

SF/PARANORMAL Obscure: BITTEN

latest-1

BITTEN ran for three seasons 2014-2016 and is fairly new. It is based on the OTHERWORLD series by Kelley Armstrong. The series uses a variety of narrators, and this one is based on Elena, the female werewolf. (The witches plot line picks up in Season Two). I am a fan of the series and Armstrong’s writing in general. I was not able to watch the series in its initial run, but now had a chance to watch it on Netflix. Like many book to TV adaptions there are some differences, but on the whole, I felt like BITTEN captured the spirit of the series and didn’t stray to far from the basics of Elena’s character.

In brief: BITTEN follows the story of Elena Michaels, the only female werewolf known to have survived the change. There are born werewolves and turned werewolves and the survival rate is low. Elena lives a ‘regular’ life after leaving her werewolf family/clan in Stonehaven. A series of murders in the local town means the pack alpha, Jeremy, asks Elena to return as she is the best tracker. It also means she returns to Clay, Jeremy’s son and Elena’s former lover. Like most urban fantasy there is a heavy dose of relationship talk, sexual tension, as well as mystery. We get familiar with some of the other werewolves in the pack as well as rogue werewolves and the politics of the hidden world. And, of course, Elena’s two worlds begin to collide.

I enjoyed BITTEN. It started out a bit slow, but I think the pacing evened out as the series progressed. It does have a lot of the standard love/sex plot lines of most urban fantasy and no real surprises on that end (the hottest people always get to be the couple; 99% of the woman in town are young super model looking) but it’s not overboard. I think what makes it stand out from many of the urban fantasy TV shows-it did an effective job on the dark paranormal elements. The bad guys are truly disturbing. I say this because often in urban fantasy, it seems as it the bad guys are less frightening and more  just complicated and brooding. BITTEN, though, has truly violent and dangerous criminals; as well as the conflict within the ‘good guy’ wolves. In the end, all werewolves are killers to some degree and this show doesn’t shy away from their inherently violent world.

I think it’s worth a watch. I found it to be better than expected. I can get defensive when a book I like has a TV or movie adaptation falls flat- this one didn’t for me. It has some episodes that don’t quite grab you-but the characters are well defined and grow deeper. I liked the actor’s portrayal of Jeremy, the Alpha. In many ways he dominates the show. But hey, he is pack Alpha.